In an earlier blog this year, I reviewed NEC’s recent announcement to incorporate the popular Raspberry Pi (RPi) computer with selected new V-Series and P-Series panels by mid-2017. The addition of RPi continues NEC’s open platform philosophy utilizing OPS slots that pr read more
Not being a software developer, you can imagine my confusion when NEC Display Solutions of America announced its upcoming line of commercial displays with the ability to insert a Raspberry Pi Compute Module. “Raspberry Pi?” I said. “Isn’t that some sort of dessert?” R read more
Conventional wisdom (and maybe your parents or grandparents) tells us to “invest in real estate.” While this is an adage about acquiring financial wealth, the same tenets hold true for pixel count on monitors. More pixels offer flexibility in numerous ways. Recently the read more
At Almo Pro AV we just wrapped up our 2016 E-4 AV Tour with stops in Boston and then Dallas. Like our previous E-4s, these events offered our customers, large end-users and consultants multiple CTS-certified lectures (with RU Credits!), hands-on experience rooms and an impressive exhibit floor populated with over 50 manufacturer partners displaying the latest in technology.
Due to space constraints and other outside factors, exhibit halls in general often restrict what manufacturers showcase to individual components and not an entire working solution. Attendees then must visualize the solution, usually by associating it with a recent or current application need. But what if they could see an entire solution, made up of components from multiple manufacturers in a single exhibit? This is a concept I’ve been at work on for the past few E-4 events, and the reception and feedback I’ve received is motivating.
Representatives from well-regarded display and projector manufacturer NEC have worked with me on this concept from the beginning. Our goal is to display NEC’s superior commercial panel designs and demonstrate their functionality in a working model, such as a video wall or unique projector application. To accomplish this we started with a video wall configuration and called on another partner, Peerless-AV to supply their specialized video wall cart. The cart is an actual Peerless-AV sku providing video wall mounting with mobility. Perfect for our exhibit hall floor. Now we can easily demonstrate the features of this video wall solution and mount combination to show attendees.
In Dallas we took the partial solution even further. TVOne joined our configuration to display their low-cost and feature-rich 4k video processing unit that utilizes NEC’s Tile Matrix feature. We then insured electrical noise-free power by employing a Tripp-Lite double-conversion UPS. The end result was a working, fully mobile 4k video wall solution.
Next, we wanted to demonstrate a single-panel application with a 65″ UHD Panel, mounted in portrait orientation. Once again we called on Peerless-AV to provide a video cart capable of portrait orientation, enabling us to demonstrate the panel’s ability to change screen orientation. One dealer group actually came by the booth that day ans offered to purchase the solution right then and there and take it back to their office!
Also popular these days are indoor kiosks, and Almo and NEC were able to bring such a solution to our E4 attendees as well. This time we created a kiosk solution featuring a 46″ NEC panel displaying content from a BrightSign media player, all secured and ventilated within the Peerless-AV kiosk and once again powered by Tripp-Lite.
Almo is already hard at work with our partners for our March E-4 AV Tour stop in the Windy City, Chicago, IL. Our solutions exhibits will no doubt continue to evolve and grow. Perhaps we’ll employ a unique NEC SSL laser projector based digital signage application with portrait orientation using content provided by Almo’s Content Creation Services. Rest assured, we’ll come up with something – and our attendees will be able to see a true solution through the forest of products on the exhibit floor.
Hi! I’m Diana.
I started working at Almo a few months ago as a Graphic Designer. Naturally, I am in front of monitors all day, every day and depending on the project/s sometimes I need to have more than two screens open at the same time. Not too long ago I had three monitors, with real “classy” stands, taking up a lot of space on my desktop. I’m in a bit of a minimalist phase, so I wasn’t really feeling it.
A few months ago, when Almo Acquired IAVI , my entire setup changed. I was given a brand new Apple laptop and I decided to only keep one of my old monitors. Although it was a really nice monitor with a good resolution for a visual artist, it was a bit too small for the type of workspace I actually needed. I was going to be forced to bring in another monitor and I was not happy about it.
Luckily for me, and in perfect timing, Almo offered me an NEC 27” 4K Monitor (MultiSync EA275UHD). First of all, you don’t have to be a genius to set it up. Just take it out of the box, plug it in and adjust the height. Second, it’s big enough to serve as two monitors without taking up so much space on my desk, which I LOVE! Lastly but definitely not least, the resolution on this monitor is insane! The color accuracy is terrific and the quality is just beautiful.
Look at me setup now!
Overall, I would definitely recommend this monitor to any Graphic Designer or Digital Artist out there looking to move from 1080p to 4K with a bigger workspace. It’s a keeper!
A couple of months ago, I spoke with one of our Arizona integrators about a window digital signage project for a large retail jewelry store. As we discussed the project, I asked for specifics as to display size dimensions and quickly moved to content, media player, and signal distribution scheme. The spec seemed relatively straightforward and a bill of materials would be easy to create.
But as I reviewed drawings and artist renderings, I quickly asked myself:
- What direction do the windows face? Southwest exposure?
- Coverings shading the windows?
- Portrait or landscape orientation?
- City ordinances on night time brightness?
The answers to the above questions quickly convinced me that I was actually dealing with a high ambient light specification than that of a typical within-the-building digital signage project. Additionally, this window project calls for commercial grade, 24/7 displays (for use well into the night after closing hours) that must have the following design attributes:
- Higher brightness rating than that of a typical indoor display to ensure crystal clear visibility during the daytime
- Resistant to the effects of high temperatures and direct sunlight that cause an isotropic blackening effect on liquid crystal
- Advanced heat management to provide proper cooling given high temperatures and extensive operational hours
- Polarizing film on the displays so as to be seen by polarized sunglasses in either portrait or landscape orientation
- Ambient light sensors to dim displays in low sunlight or nighttime
So, as you can easily surmise, we’re now talking about specially designed displays for this project. NEC, for example, manufactures 47”, 55”, and 75” high brightness displays designed for front-facing window display applications. The XHB Series of displays addresses the above needs with:
- High brightness (2000-2700 nits) for high ambient light conditions
- High resistance to isotropic effects from direct sunlight
- Quarter Lambda Polarizing film so content can be easily seen regardless of orientation or polarized sunglasses
- Internal heat management and self-diagnostics to insure reliable 24/7 operation
- Ambient light sensors to dim the panel for lower light and nighttime conditions
Bottom line—front-facing window signage demands are different from indoor or outdoor models. Be sure to know the application when an end user mentions windows in a digital signage application. Yes, these panels are an investment, but if you can’t see the displays, why have the signage?